Anemone Centred Chrysanthemums in New Zealand
by Tom Mechen
Patron NZNCS,
Palmerston North New Zealand
September 2006
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Cause for concern
With attrition taking its toll over the years, the decline in cultivar
numbers in the Anemone Centred section was a cause for much concern in New
Zealand as the 1970's drew to a close.
Limited choice of cultivars
Those wishing to exhibit Anemones had a very short
list from which to make their selection and it was a fact that some of the
few still remaining, so reliable in the past, were now becoming suspect as
regards performance.
Replacement cultivars were not available and as far as
we could ascertain there was nothing forthcoming in the pipeline, nor likely
to be so in the foreseeable future. |
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However, Anemones had previously been
raised in New Zealand. Mr R.McC.Miller of Wanganui, who was the very first
Patron of the N.Z.N.C.S., raised a very popular Yellow Anemone named Esmond
Drake, which lasted for over 40 years, and Mr Don Cameron , an executive
member of the Society and long time stalwart, also of Wanganui raised two
cultivars - Therese and Avon,- both grown and shown for many years. |
All set to try my hand
So
having in mind the precedent that had been successfully set by these two
great N.C.S. personalities and receiving encouragement and guidance from an
exceptionally fine article written by Dr. Allen Langton of, Glasshouse Crops
Research Institute, Littlehampton, West Sussex entitled 'Techniques of
Chrysanthemum Breeding' and published in the 1976 U.K. National
Chrysanthemum Society's year book, I was all set to try my hand with
Anemones to see if by my intervention, something wonderful could be made to
happen. I had already discovered that the blooms on 'Claudette', which I
believe was of Australian origin and was a several times champion of this
section in New Zealand, produced an absolute abundance of pollen, so I duly
selected flower heads from one or two top cultivars to trim back in
preparation to receive some of this magical substance and a day later
carefully made this application. Two months later I was delighted to find
that a small number of seeds had ripened. These were stored away in a warm
dry place till springtime.
Germination
I determined that I would germinate these, as
recommended in the article mentioned, by setting them out on plastic screw
top jam jar lids laid flat side up and covered with filter paper overlaid
with muslin, a rubber band round the edge keeping this in place. The filter
paper retaining moisture evenly by wick action from the water in the tray in
which the lids have been placed. This tray had a plastic cover thereby
providing ideal humidity at room temperature. This I did very successfully
and pricked them off later into seed trays of prepared seed raising mix. I
found this so successful that I have never employed any alternative method
for chrysanthemum seed germination since that time. |
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Initial success!
When large enough,
seedlings were planted out in open ground to grow on to maturity. At
flowering time, one of the seedlings resulting from the cross made with
Bridgette, a lovely pink anemone of Dutch origin, produced a bloom, light
mauve pink in shade, that appeared to have all the attributes required for
it to become a future winner. This flower which was to win Champion Anemone
award the next year at the N.Z.N.C.S. Convention Show held in Kapiti, which
I named Dorothy Mechen, gave me the incentive to continue and every year
since then, beside growing for show as usual, I have managed to maintain a
modest hybridisation programme which within the first three years of
experimentation had made quite a difference to cultivar numbers.
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Radiation treatment
To kick
start this rejuvenation I was fortunate enough in 1981 to be able to
organise radiation treatment to effect colour changes on a number of plants
of Dorothy Mechen and within two years there were six distinct Dorothy's on
offer. There was Dorothy Mechen, Cameo, Lilac, Sunburst, Reward, and Light
Yellow. I was also fortunate to have Edith Mechen (outstanding record of
successes since that time) show up as a seedling in 1981 and Adrienne Mechen
(white ray florets lilac centre) show up as a seedling the following year.
The advent of these cultivars and the prospect of further introductions by
means of hybridisation ensured a bright future for this section which was to
provide some outstanding |
| competitive displays as the cultivar numbers
increased and the section became extremely popular with the enthusiastic
growers and the viewing public alike. |
Of the 60 Anemones raised so far
through this programme only about half are still being grown as far as I
know. However cultivars such as Cloverlea Classic, Mainland Miss and First
Light which were good cultivars but flowered too early for me under natural
conditions, and were sent away for trial in other areas could be still
flourishing somewhere unbeknown to me. Once the new seedlings have been
grown the second year and approved by the classification committee they are
then freely available to any enthusiast wishing to grow them for show who
are prepared to pay cost of postage etc.
Selection for trials
Only a very small percentage of the
seedlings raised each year are selected for further trial and assessment
from the large numbers that have been nursed through from the initial time
of pollen application that become seeds which become seedlings and it is
these small few that become the rare plants bearing the rare blooms of great
potential that justifies the time and effort involved that lights up our
life at those wonderful times of epiphany.
Flourishing on the show
bench
Flourishing in response to the
steady increase in cultivar numbers since the 1980's the Anemone, gathering
momentum with each passing season, was soon to be seen as equalling and in
some cases even surpassing Singles and Fantasies in the number of blooms
tabled at many of the shows and exhibitions held each year throughout the
country. People seemed to have always loved it, enjoyed growing it and
seeing it on display and in a relatively short number of years, with a
broadening selection of cultivars so readily available to the growers it has
assumed a prestige and importance in the scheme of things Chrysanthemum in
New Zealand that a few years previously had certainly been undreamed of.
Controlling height
Generally Anemones do not present very many problems to the grower although
there are a few quite tall cultivars that need to be firmly cut back during
the stopping process or treated two or three times with Alar (B Nine) to
limit the length of lateral growth during development. Alar seems to be a
very beneficial substance which induces stronger and sturdier growth on most
treated cultivars. Elongation of the neck once the bud has been secured
leaving the bloom with a bare length of stem and no complementary foliage
also occurs on some cultivars given certain conditions and can be overcome
on any cultivar by application of Alar a few days prior to securing the bud.
Only the top portion of the plant needs to be sprayed for this to take
effect. |
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My situation on this planet is at just over 40° latitude in the
southern hemisphere enjoying what is classed as a moderate climate. Anemone
cuttings are rooted in sharp river sand and transferred to small planter
bags to allow roots to establish further, then they are planted out first
week in November into rings in an uncovered frame where they grow on to
maturity. Covers are erected around about mid March.
Stopping technique
The plants are given
two stops and with the first stop the plant is taken back by 1/3rd of it's
height to ensure even branching. The time of stopping of course varies
according to geographical situation and the response group category of the
individual cultivar being processed. That is why my second stopping varies,
beginning from the third week of December on into the second week of January
to time the blooms to reach maturity around about the 25th April a close
approximate date of the New Zealand North Island National Show each year.
Allow six or sevens blooms
per plant
Many growers limit their plants to carry four or five blooms but a well
grown plant should carry six or seven quality blooms and give the grower two
good vases of three for exhibition purposes. As the flowers are reaching
maturity supports similar to those used on exhibition singles to protect the
ray florets is a good idea to avoid accidental damage when working near or
around the plant. Polystyrene I find is excellent. Can be held up under the
flower by a spring peg attached to the stem. Some rubber foam first wrapped
around the stem before the peg is applied is a wise precaution .
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Attributes for Judging
The
Chrysanthemum Judging and Exhibiting hand book compiled and distributed by
the National Chrysanthemum Society (U.K.) which we have meticulously
followed over the years outlines for us the features of the Anemone and how
they should appear at maturity. So from what we read our aim should be to
produce Anemones with dome shaped cushions , even in texture and floret
development of nice depth and circular when viewed from above. These should
ideally have just reached the peak of their development. The ray florets can
be broad, flat and even in length; sharply pointed and uneven in length or
tubular with flat spoon like tips. |
As with Singles they should emerge at
right angles to the stem , though they may reflex or incurve at the tip. The
outline formed by the tips should be circular when viewed from above. The
ray florets should be fresh to the tips and of good colour for the cultivar.
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How many rows of ray
florets?
Although the features of the Anemone and the standard of quality outlined
are quite comprehensive. I have often puzzled over the omission of any
reference to the number of rows of ray florets considered desirable as is
intimated in the requirements for Exhibition Singles. To my mind unless
there are at least two or three rows of ray florets to better present and
compliment the cushion the bloom assuredly is lacking in substance and
generally suffers in visual appeal as a consequence. While the Mundials with
their perfect cushion look lovely viewed from above (which is an exception
to the general rule with regard to blooms with a single row of ray florets)
they are obviously thin and insubstantial when looking for all round
perfection.
Tom Mechen
96 No. 1 Line, RD5, Palmerston North
Phone: 06 354
3743
Email: TJMechen@inspire.net.nz
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This article
is reprinted with kind permission from the author Tom Mechen
and The National
Chrysanthemum Society, N.Z.
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